Mezzo-soprano Sylvie Bedouelle  studied with Janice Chapman on the Guildhall School Opera Course, where she was awarded the Patrick Libby Prize for acting and the Guildhall Fellowship for two consecutive years. She trained afterwards on the International Opera Academy (IOA) in Ghent. She is now part of the Baroque Opera Programme of the Paris Conservatoire (CRR).

Recent roles include Flore in Psyché by Lully at the Auditorium Landowsy in Paris, Eurimedes in Telemann’s Orpheus at BOZAR in Brussels, Lisinga in Gluck’s Le Cinesi at the Minard Theatre in Ghent, Hans in Der Gestiefelter Kater by Cesar Cui at the Ghent National Theatre,
Annina in La TraviataGarcias in Don Quichotte, and Madelon in Fortunio for Grange Park Opera, Oreste in La belle Hélène and Opinion Publique in Orphée aux Enfers for the Festival Eva Ganizate, Third Boy in Zauberflöte for Metz Opera, Sorceress in Dido and Aeneas for Westminster Opera, La Frugola in Il Tabarro at the Arcola Theatre, Angela in La Cenerentola for Opera Up-close, and Volusio in Hasse’s Cajo Fabrizio for the Handel Festival.

While at the Guildhall School, Sylvie sang Mère Marie in Dialogues des Carmélites, Elisa in Almeida’s La Spinalba and Mrs Herring in Albert Herring. She was also a member of the Glyndebourne Chorus for two seasons.

Sylvie is a dedicated song recitalist. She has performed in various festivals, including London Song Festival, Chipping Campden Festival, City of London Festival, Festival de musique de chambre d’Argonne, Festival de Bougue and Les Estivales de Megève.

Future projects include Venere in Orfeo by Rossi (Paris CRR), Mopsa in Le Jugement de Midas by Grétry (Paris CRR and Académie Royale de Liège), concerts with the ensemble Arsys-Bourgogne, a recital of French and English songs with Mihály Zeke, and a recital about Nancy Storage with Les Monts du Reuil.